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Kunstforum: Bonjour
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Forum > Begrüßungssaal > Bonjour
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Autor
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Thema: Bonjour
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frederiqueK
Mitglied
3 Forenbeiträge
seit dem 18.02.2005
Geschlecht:
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| Eröffnungsbeitrag |
Abgeschickt am: 19.02.2005 um 11:18 Uhr |
Bonjour toute la communauté
Je m’appelle Frederique Krzis-Lorent.
31 chemin de la chapelle saint-antoine
0493091905
06130 Grasse
mail : frederiqueK@oxatis.com
http://www.frederique-k.com
Après des années de travail je souhaiterais vous présenter
mon
travail.
ci-joint un papier d´environnement
fait par un critique d´art.
mon nom d’artiste est
frederiqueK
Cordialement
Paint to search oneself and to find the other.
From the colour to the ligne of the paint brush, passing by
the cutting, in the painting of Frederique Krzis-Lorent to
be known as FrederiqueK, all is cry, all is writing, all is
language, all is signifiant. In another life the one that
dedicate herself today entirely to her Art was an
architecte. Her training and her years on the site, have set
down on her canvas traces of the « structure exigente »
demanding exigence-impeccable even- of the Art of just trait
dear to Vitruve. Faithfull to the straight ligne FrederiqueK
often construct her canvas starting from squares, a figure
of a rich symbolic that particularly suits her.
To be rigorous is not to be rigid. The free flow of her work
is put forward by her well kept subject to under line the
effects she does ‘nt hesitate to work on canvas not
prepared. This work flow is the extension of her
photographic gesture, very fine and even in the subjects
that she likes : the woman, the fashion or the « agaves ».
Strong of the technic and of the mouvement, the painting
would be just an empty shell if is was not animated by the
thought which give it it’s breath. FrederiqueK paints to
prove that she exist. »I am obcessed by the mental she
confesses. To paint it’s to go in search of oneself, to say
something to some one. For the paintin
g is never free if not it’s got no sense. The world_vaste
territory of non-sensical_ has become a world to
confrontation and of exclusion. It’s makes simultanously
it’s death destiny it’s own « finitude » duplicating ours
and a sense of helplessness of all it’s hindrance. While
painting despite all FrederiqueK invites us to escape from
this impotence, to react differently accross our anguish.
She is faschinated by fashion and it’s refinement, it’s
fabrics, her ideal of thinness, it’s light, it’s brillance
and it’s elegant women, it’s evanecent and it’s mystery.
Behind the appearance, FrederiqueK paints the woman in her
modernity. « I am says FrederiqueK, always torn apart
between the simple, the masculanity and the show of the
feminality. I love to tear apart ».Her precise eye of the
architecte, looks analyses, find the fragment. FrederiqueK
is the painter of the « synecdoque » of the details who
suggest all. In the same time her sketchy scene suggest the
magnitude of her work. We are in the baroque painting where
the extrovert testifies or real suffering, it permits
contact with the others. So the « agaves » of FrederiqueK
are not dead nature but « anthropomorphes ». The synthesize
of a gesture humanitarian the arm in the wind. They are the
superb exercise of colours. « the colour for me is like the
light, a way to explain myself, a word. This is my life,
without colours I to expire ».
She tells us that the word does’nt go from a fraction of the
relationship between people. The ones that does’nt know how
to make us listen, wil invent other arguments to make us
anderstand. « I have difficulties, she tells us, to move
into space. I often have the sentiment that the more I
speak, the more I explain, the more I analyse my thoughts,
the less the people anderstand me. Painting permets me to
communicate an other way ». The ligne and the colour sets up
a bond which the spectator will permits the artist to run
away from her shut away …and takes the spectator in her
world. FrederiqueK who has retained decades with her canvas
in her work-shop, destroy them if the necessary arises to
make room, shows silently that painting is to go in search
of oneself to find the other.
Alain Coudert
Critic of art
frederiqueK
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